2011 is the year of the pocket! I want pockets on everything right now; I want pockets to keep my mitts warm, pockets to store pieces of salted caramel wrapped tightly in waxed paper, and pockets to slip love notes into. Kathleen from Fashion-Incubator.com, and Sandra from TheSurlySeamstress posted these fabulous tutorials on how to stitch on bluff pockets, otherwise known as pockets with no visible outside stitching. Bluff pockets have a classic simplicity that we adore.
Becky posted PDF instructions for these cozily spiffy striped fingerless mitts on CraftZine. This unisex pattern will keep your chilly limbs toasty while you bike, text, or play bass. Be a pirate and knit them in black and white, yellow and black for a bee-tastic look, be a wafting faerie in pale pink and meadow green, or in heathered brown and grey for a gentlemanly approach!
This fetching plaid shirt was sewn by Wil. He has been sewing for a mere 60 days, and this is a modified and re-fitted version of his initial effort. Wil admitted that he very much enjoyed matching the plaid, and his meticulous results show it! He used a down-loadable pattern, and the fabric is a smooth pima cotton tartan. It is imported from England, 45” wide, $18.99/yard, and can be found on Britex Fabric’s 2nd floor. Please email M. Du Jour at Britex Fabrics if you want to buy this fabric. If you are out of town and wish to buy another fabric, contact us through our fabric mail order department for detailed mail order assistance.
1. Measure yourself carefully and buy your pattern according to your measurements; pattern sizing and ready-to-wear sizing are radically different.
2. Read the pattern’s directions all the way through first, and then follow them as you construct the project.
3. Use a fresh needle for each larger project.
4. Don’t stint on thread, but buy matching, good quality thread.
5. Use fabric that you truly adore, not just because it is on sale or you kind of like it.
6. Iron your seams as you go.
Stacy and BurdaStyle have several suggestions for sewing machine maintenance, including change your needles often, clean and dust your machine after each project, oil your machine as recommended by your manual, and tighten loose screws. We have found that by following these simple hints, many machine issues are resolved.
This short cape by the talented team at Thunderlily would be a dashing wrap for that in-between season that takes place after winter’s last chill, but before cherry blossoms are spreading their delicate pink petals across Japanese Tea Garden. We adore the vintage look and the asymmetrical zigzag buttoned front. The open source pattern and directions are posted as a PDF on the BurdaStyle. We think this cape would glamorous be in a deep, berry pink velveteen lined in grey stripped silk. Think pink!
“Think pink! Think pink! When you shop for summer clothes.
Think pink! Think pink! If you want that quel-que chose.
Red is dead, blue is through,
Green’s obscene, brown’s taboo.
And there is not the slightest excuse for plum or puce
Think pink! Forget that Dior says black and rust.
Think pink! Who cares if the new look has no bust.
Now, I wouldn’t presume to tell a woman
What a woman oughtta think,
But tell her if she’s gotta think: think pink!
(By R. Edens)
The Victoria and Albert Museum is the epitome of British refinement and decorum. Here, they present a free online educational seminar in corsetry, complete with photographs of corsets, bustles, and crinolines from their collection.
“No other garment in Western history has assumed such political, social, and sexual significance. What is it about the corset? A mere undergarment, designed to enhance the female figure, has become an icon of all that fascinates about the ambiguous sexual codes of the Victorian era. Was wearing corsets primarily about sexual empowerment or restrictive chastisement? Could the corset explain common female maladies of the Victorian era, from fainting fits to miscarriage? How great was the suffering, for how small a waist? Lucy Johnston, curator at the Fashion Department of The Victoria and Albert Museum, takes us through the history of the corset, from the ascension of Queen Victoria through the first decade of the twentieth century. Most of us are not aware of the many different phases, shapes and fabrics of the corset, as well as the technological innovation involved. Suzanne Lussier, also of the (V & A Museum ) Fashion Department, sees the corset through to contemporary fashion, to reveal how our obsession with the corset has persisted and evolved to incorporate modern sexual and aesthetic tastes.”
The gals on Britex’s’ 3rd floor created this jeweled belly dancing (or “danse du ventre”) costume with a few trims and items from their floor, and a couple of snippets of wafting chiffon from the remnant floor. The fitted top is constructed using a beaded lace overlay top, with metallic coin fringe providing jingling interest. The collar is made of a pair of gemstone encrusted appliqués in shades of amber and coffee, the belt is of a length of swishing beaded trim, and the skirt is made of several panels of chiffon. Please come into our store, or call Darlene at 415-392-2910 if you are interested in buying any of these glittery and delightful trims or jewels! (Fitted top $19.85, gemstone appliqués $27.95/pair, bugle bead trim $13.95/yard, coin trim $21.95/yard)
Power Sewing Toolbox: this workshop by Sanda Betzina is on Tuesday, February 1, 2011 between 7 pm and 9 pm. The cost is $60 per student. Call Britex Fabrics at (415) 392-2910, or visit us at 146 Geary Street in San Francisco to sign-up. Our hours are Monday through Saturday from 10 am to 6 pm. Enrollment space in this class is very limited, so reserve your spot early! This two hour class is full of tips and techniques the patterns don’t tell you, but essential to a quality looking finished product. No longer will you be intimidated by mitered bindings, fringe detailing, classy seam embellishments, welt pockets and buttonholes, neckline bindings for round and V necklines, and truly invisible zippers. In addition, you will learn techniques for lining knit pants, T-shirts in stretch mesh and zippers hidden in pockets. Feel your sewing savvy soar from a C to an A+ as you learn new tricks of the sewing trade.
After all the quickly sewn holiday gewgaws that I’ve been making, I feel the need for continuity…for a long project that will fill my nights and whose beauty will unfold slowly. Lilian discovered these vintage cross-stitch patterns in her aunt’s attic, and then digitized, archived, and published the collection online at Gancedo.eu. Here is Winter from the Four Seasons collection; two thoughtful birds perched together on a wire, wings tight against their chilly chests and trees barren of leaves. I’m also fond of the Months of the Year collection, with the playful couple ice skating, planting their garden, flower plucking, grape stomping and more. These are perfect projects to while away the remainder of the winter and the spring! Aida cloth is available on Britex Fabrics’ 4th floor, and needles and floss is available on our 3rd floor.
We are overjoyed with our new shipment of corset construction materials, and wanted to get you an idea of our selection. All corset making notions are available in Britex Fabric’s 3rd floor across from the Bridal Lace, and Coutil is available on our 2nd floor. Please contact us at 415-392-2910 if you want to buy corset-making supplies, and you will be guided to the correct department.
1/4” white steel. 4” to 17” in 1” increments
1/2” white steel. 4” to 17” in 1” increments
1/4” spiral steel. 4” to 17” in 1” increments
1/2” spiral steel. 4” to 17” in 1” increments
Silver knobs or closures. 8”, 9”, 10”, 11”, 12”, 13”, and 14”
Gold knobs or closures. 12”
Antique Brass knobs or closures. 12”
Black knobs or closures. 12”
Black (2nd floor)