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Category Archive: Museums

Thursday, June 3rd – Workshop at The Museum of Craft and Folk Art

Thursday June 3rd from 6-8pm – Amelia Strader from the Museum of Craft and Folk Art Celebrate, Etsy and Britex Fabrics team up to bring you a workshop in creating this charming, vintage-inspired fabric and felt pin. It’s super simple to make, gussy up any outfit, and costs little to put together. There will also be free-form Stitch and Bitch area where you can start a new project, or work on an existing one. The cost for the workshop is $5, which includes admission to the gallery, and supplies for the craft. Resident crafter Amelia Strader will be doing the Etsy Virtual Lab at 1 PM on June 3rd—be sure to check it out if you can’t make it to CRAFT BAR! 51 Museum of Craft and Folk Art, Yerba Buena Lane, San Francisco, California 94103.

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Felted Nkisi Workshop – Learn Needle Felting Techniques!

Museum of the African Diaspora, 685 Mission St, San Francisco, CA 94105. Session I – Sat. May 8, 2010, Session II -Sat. May 15, 2010, Session III – Sat. May 22, 2010. All classes are from 11:00 am – 2:00 pm and in the Education Center. Nkisi literally translates as “sacred medicine in the Kongo language of Central Africa. The term Nkisi is the general name for a variety of objects used throughout the Congo Basin and are thought to contain spiritual powers used for healing and protection. In this 3 day workshop, participants will learn needle felting techniques to create the structure for a felted Nkisi doll, as well as various methods to add decorative elements including healing charms and various African symbols in order to finish the Nkisi. NO PRIOR EXPERIENCE NECESSARY & ALL MATERIALS PROVIDED. Workshop Series: $45/members $55/non-members OR Individual Session: $20/member $30/non-member

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Craft Bar: Thursday, March 4th between 4pm & 8pm

Craft Bar with Etsy Labs at MOCFA SF returns! 2010 launches with an eco-savvy theme for the conscientious consumer. On Thursday, March 4th between 4pm to 8pm craftastic classes and schmoozing begins! One of our crafty Britex employees will teach folks how to crochet with recycled plastic bags, and there will also be guided knitting lessons. Sip locally-brewed refreshments, nibble on homemade baked goods, and visit the new exhibit Rhythm and Hues: Cloth and Culture of Mali for inspiration. All skill levels welcome: materials and instruction will be provided. 51 Yerba Buena Lane. SF 94103.

Posted: Knitting & Crocheting, Museums, Organizations, Sewing & Craft Groups
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Antique Beaded Coin-Purse (France, 1827)

The Museum of Bags and Purse: Tassenmuseum Hendrikje This beaded coin-purse (France, 1827) shows the arrival of Zarafa, the first giraffe to set hoof on French soil. Mehmet Ali Pasha, the Ottoman Viceroy of Egypt sent this lovely lady giraffe to Charles X of France in 1826, and she resided in Paris until her death in 1844.

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Exhibit: Rhythm and Hues: Cloth and Culture of Mali

Rhythm and Hues: Cloth and Culture of Mali – February 5, 2010—May 2, 2010, The Museum of Craft and Folk Art, 51 Yerba Buena Lane, San Francisco, CA 94103. Rhythm and Hues: Cloth and Culture of Mali gives long overdue recognition to contemporary Malian fabric artisans and highlights the enduring significance of textiles as a major form of aesthetic in Mali. Featuring works beyond the mudcloth tradition, this exhibition seeks to showcase contemporary styles and techniques which have yet to be shown in the US. With superb examples of dress, and accompanying photographs, Rhythm and Hues: Cloth and Culture of Mali will document hand-dyed as well as factory-printed cloth. Social issues such as empowerment of women, the status of dress, women’s identity, and current trends in fabric design will be explored.
Due to the expository role of cloth in daily life, both hand-dyed and factory printed kinds of popular fabrics reveal current and constantly evolving cultural trends. The pictorial nature of the prints allows the wearer to express unique and equally critical messages, such as political attitudes, educational institutions and affiliations, or social views, and public health concerns. Although the shapes of the garments remain fairly constant, the colors, patterns, designs and messages of the cloth are constantly transforming. In addition to the cloth and clothing, Rhythm and Hues: Cloth and Culture of Mali showcases other forms of traditional art and craft from Mali, such as wooden puppets, and the life-sized masked and costumed figures called “marionettes” which act out village legends. Unusual calabashes and baskets are also included to show the wide variety of Malian craft and folk art.

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Antique Valentine’s Day Lacework: The Arnaldo Caprai Virtual Museum of Textile Arts

Antique Valentine’s day lacework from Arnaldo Caprai Gruppo Tessile Spa: this embroidered white linen cloth worked with punto antico and punto riccio, decorated with needle lace settings worked with punto in aria and reticello. The needle lace edging trims the entire perimeter and it is decorated by a chessboard pattern. The square lace insertions reflects 16th century patterns, while the embroidery of the cloth can be dated to the end of the 19th and the beginning of the following century. Among the designs are: a Cupid with a lance, a two-headed eagle, the bride and groom in the house, a fountain, a four-legged animal, a man among some animals, a woman between columns, a pelican (symbol of the Redemption). The setting that creates the internal frame shows a zoomorphic pattern with stylized bird with displayed wings, alternated with squares with geometric motives. Made in Italy between 1580 and 1600.

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Still Crazy: Victorian Crazy Quilts

November 17, 2009 – February 7, 2010
San Jose Museum of Quilts & Textiles
520 South First Street, San Jose, California 95113

Still Crazy explores the crazy quilt with a broad survey of the movement, mostly with examples from the Museum’s permanent collection. Crazy quilt making reached fad proportions during the Victorian period of 1876 – 1900. Made of fine dress fabrics like brocades, silks and velvets, and ribbons they were heavily embellished with areas of decorative embroidery or paint or even photographic images on fabric. They were most often made of irregular shapes and sizes, a kind of collage aesthetic, and they were pieced together with an astounding variety of embroidered stitches, in a multitude of colors. At the same time, crazy quilt designs had Asian influences, believed to be inspired by growing interest in the Far East at that time. They are dark, saturated and luxurious in look and feel, and the embroidered details are often nature inspired or symbolic or personal. This exhibit features an unusual variety of the kinds of textiles that were created such as quilts, wall hangings, table covers, comforters, to a one of-a-kind matching pair of Victorian parlor curtains.

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Conquistador Fabric

The Minneapolis Institute of Arts features the archive of the Jack Lenor Larsen textile company, including collection selections available online. The Larsen Design Studio created modern, artistic fabrics for interior use, yet their innovations with handwovens, batiks and fabrics in scale with modern architecture have changed the industry. Here is Conquistador (1966, cotton), a particularly successful upholstery fabric that soon became one of the signature cloths of the company. In a note in the company archive Larsen writes that “Conquistador is my concept of how an Inca might handle a baroque motif. That is, flatly and without the robust movement typical in Europe. More like the stone walls of Peru.”
Conquistador (1966, cotton)

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Open Source Embroidery Exhibit

Open Source Embroidery Show, Oct. 2 — Jan. 24, Museum of Craft and Folk Art, SF, CA, The Open Source Embroidery exhibition presents artworks that use embroidery, thread, and code as a tool for participatory production and distribution. Open Source Embroidery includes workshops and exhibitions that investigate how the open source software development model has been incorporated into the language of cultural participation. This major exhibition brings together individual and collectively made artworks by artists, makers, computer programmers and html users that explore the relationship between craft and code through social and digital networks. The works experiment with interdisciplinary approaches to modifying patterns, the DIY culture of hacking and sampling in sound, GPS and mobile technologies.
art_motherboard

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Upcoming Quilt Exhibit – Amish Abstractions

The de Young museum, San Francisco’s Golden Gate Park
November 14, 2009 — June 6, 2010
This exhibition features approximately 48 full-size and crib quilts dating from the 1880s to the 1940s. Quilts made by girls and women of various Amish communities in Pennsylvania and the Midwest are visual distillations of their way of life. The Amish faith embodies the principles of simplicity, humility, discipline, and community, but their quilts are anything but humble. Using a rich color palette and bold patterns, these quilts are truly a unique contribution to American textile history. The quilts highlight the beauty and complexity of the abstract patterns.
Amish Abstractions quilt
Credit Line
Amish Abstractions: Quilts from the Collection of Faith and Stephen Brown is organized by the Fine Arts Museums of San Francisco. The exhibition is supported by The Brown Foundation, Inc.

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