The Britex Blog
October 11, 2016 by MsJennyHomeMakerHello again, everyone! This month, I thought I’d share a more daily-wear item. Wool pencil skirts in various weights are a staple in my wardrobe, nearly year-round. Some of my favorites are made from double cloth or double serge wool, so when I spotted this cool pale blue wool double-cloth, I knew it would be perfect for a transitional skirt. When I received it, I saw it had an interesting texture, so I decided to pick a slightly more fun and casual pattern, forgoing my usual Simplicity 2154 for Simplicity 8175. And I’m so glad I did – the fabric paired beautifully and I have a new favorite skirt!
September 13, 2016 by MsJennyHomeMakerHello! I'm Jenny and I blog at Jenny Homemaker. I'm so excited to join the team of talented Britex Fabrics guest bloggers and share my first project with you! Apparently, I decided to go all out for my first garment, but how could I not after spying Britex's beautiful selection of rayon blend satins?! This "summer sky" in particular caught my eye immediately, as I'd sketched this dress (Simplicity 1873) in a similar color last year. By the way, in case you’re curious if it really is as vibrant as the website shows, it is! I've worked with a lot of light silks recently, but I had volume in mind for this particular dress, and this rayon/cotton satin gives that a bit of a head start. For a party dress like this, I recommend starting with a fabric with a somewhat stiffer hand than your average satins. This will give the pleats a great shape. Then, there are a few things you can do for even more "oomph". Side note: you can use these tricks on softer fabrics as well, just be careful to choose the right weights for your fabric. The first trick for volume, is to underline your satin with petticoat net. This will add a bit of that petticoat shape, without having to wear an extra garment. A huge plus for those of us who have hot summers. To underline your satin, cut the net using the same pattern pieces as for your outer fabric. Then, cut your outer fabric, marking all stitching lines (including pleats, darts, etc) and the fold line for your hem. Pin the net layer to the wrong side of the satin and hand-baste the two layers together using cotton or silk thread, right along all of the traced lines. Then, construct the garment as you normally would. Bonus: if you like to hand-stitch your seam allowances in place, you can do so, stitching them only to the net and you don't have to worry about any stitches showing on the outside.
September 7, 2016 by MaleDevonSewingAs you may know, I love shirts. Not just wearing them but of course making them too. Although shirt styles are all fairly similar (well at least for men) you can always have fun playing with the details: Different collars and cuff shapes, placket styles and of course fun fabric and buttons. So when I was asked to make a shirt for my guest blog post, I jumped at the opportunity. I wanted to do something a little different though; something a bit wild and fun. Over the years I have made countless different shirts but there was one particular style I had yet to make: The Guayabera. You don’t see many over here in the UK but I have always been drawn to the relaxed yet precision aspects of such a shirt: The pleats, pintucks, curved yoke and four pockets were enough for me. The fabric had to make a statement too. It had to be bright with a fun design so what better than a cotton print with pink with little birds! I drafted the pattern myself, opting for a normal collar with stand, a triple point curved yoke, pintucked fronts and back with a central double pleat down the spine. Four pocket ‘through’ the pintucks and a cuffed hem. Before cutting the double pleat and two rows of pintucks were added to a piece of fabric that would form the back. The pleat was simple enough but I had to carefully measure the position of the pintucks so they would meet the pointed yoke.
August 9, 2016 by CityStitchingWhen Britex offered me some midnight navy spotted silk to sew with, I thought I might make a kimono robe or another lounge item. But when the silk showed up, it was just too gorgeous to only wear at home, so I decided to sew the Clover Dress from Paper Cut Patterns, and it was a perfect match. When sewing with silk, especially one that is semi-transparent, having gorgeous seams is key since there’s a good chance that they will be visible through the garment. This is when using a French Seam is a perfect choice, and if you don’t know how to sew one, here’s a handy tutorial for you! Note: the tutorial is sewn using a scrap piece of the silk, not on the garment itself. Step 1: After you have cut all your pieces according to the pattern instructions, the key is sewing them in a reverse order from how they instruct you to sew a regular seam. So instead of right sides together, we will be putting wrong sides together. Pin in place. Step 2: Sew the seam at 3/8” seam allowance. Trim the seam allowance down to 1/8”. Step 3: Press the seam allowance to one side. Step 4: Fold the fabric so right sides are together and the seam sewn in step 1 is right at the top of the fold. Press the seam. Step 5: Pin the fabric together and stitch at 1/4” seam allowance. The 1/4” and 3/8” will equal a 5/8” seam allowance. Should your project have a different sized seam allowance, these two amounts added up will need to match the total seam allowance and adjust accordingly.
July 18, 2016 by Communing with Fabric
Hey! It's Shams of Communing with Fabric with another garment made from a beautiful Britex fabric! For this project, my assignment was to choose a fabric from the Knits category. I quickly settled on this beautiful double-sided ponte made from cotton, polyester, and lycra.
Reversible Black and Cardinal Red Cotton Blend Knit Fabric Click the image to see this fabric on the Britex site. It's also available in sky blue (Note that some of the photos show this fabric as a bright red, but it's actually a heathered red in real life)
This fabric is wonderful! It has more drape than some of its stiffer ponte cousins. It feels like a rayon and I was surprised to learn that it contains cotton, but no rayon. It is beefy, so it hangs nicely, but it's also a bit "sproingy". It presses beautifully. I threw it into the washer and dryer before cutting and it looked just the same afterwards. I didn't measure to determine the amount of shrinkage, but I suspect that it shrank a bit. Because it's a double knit, it's very easy to sew. If you are afraid of sewing knits, a ponte (double knit) fabric is a good way to get started. It doesn't curl at the edges due to it's double-sided construction. This ponte stretches in both directions, but it's also fairly stable. I wanted to feature both sides of the fabric and I seriously dithered about how to use it. I was torn between a top and a skirt and I knew exactly how I wanted to make each but, in the end, the skirt won out. I drafted a 7-gore skirt. Why 7 gores? I find the asymmetry of an uneven number of gores aesthetically pleasing. In order to use both sides of the fabric, I drafted the pattern with 1" seam allowances and a 1" hem. The only exception was the waist seam, which has a 1/2" seam allowance. I sewed the 1" seams with the black side facing the black side. I decided to funk it up by constructing it in a car wash style so I sewed each gore 15" down from the waist, and left the rest of the seam unsewn. I turned each seam allowance and hem segment to the red side and folded it under, turning the 1" seam allowance into a 1/2" trim. I secured each seam allowance, individually, to the red side by hand. You could do this by machine, but I like the effect of hand sewing—I have more control. As part of this process, I mitered all 14 corners at the hemline. Mitering is important to manage the bulk that would result if you merely turned up the trim on each edge. An advantage of such a clean finish is that the skirt is fully reversible! The red side features black trim, and the black side is solid black. It might be summer elsewhere, but when I took these pics this morning it was 50°F, windy, foggy, wet, drippy, and misty. In short, it was COLD and more like winter weather than summer weather! I didn't include a pic of the waistband, and I never tuck a top, but I attached a casing for elastic using the black side of the fabric. Because of the car wash effect, both sides flash the reverse color as I move. This skirt is a lot of fun to wear!
July 13, 2016 by Chuleenan of CSewsHow to Make a Decorative Removable Ribbon Hat Band (Part III) For my second hat band, I had two yards of two ribbons: A striped 1.25″ Petersham ribbon and a 5/8″ solid black Petersham to go on top of the striped ribbon, which adds a thick stripe. The extra yard was for the embellishment that covers where the hat band pieces join. (To read about my other hat band, see Part II.) I cut a 25-inch length of the striped and black ribbons for the crown and gently stretched and pressed them. The striped ribbon wasn't as pliable as the black ribbon so I required a little more tugging to get it to curve. For more information on pressing and stretching Petersham ribbon, see Part II. Next I pinned the solid black Petersham ribbon to the striped ribbon and used a ladder stitch to baste it in place. It's called a ladder stitch because the other side looks like a ladder. Then I folded over each end of the ribbon twice, about 1/4 inch - just enough so that that the length was a little less than the crown circumference of 23 inches. The elastic would bridge the gap. I machine stitched the ends and then attached a 2-inch piece of wide elastic, securing it with a double row of stitches. one row of stitches follows the stitch line I made from sewing the ends of the ribbons. I used a longer piece than I needed because it makes it easier to sew. Then I just trimmed the excess after it was sewn. The elastic looks like this.
July 12, 2016 by Chuleenan of CSewsHow to Make a Removable Ribbon Hat Band (Millinery Part II) I've had this hat for years and then the hat band began to show some unfortunate discoloration. It turns out the manufacturer used a double-sided adhesive to attach the hat band to the hat. The adhesive became greasy and leaked through the ribbon. A high quality hat would not use adhesive of any kind. I got it because I liked the shape and the small brim. It goes with a lot of my wardrobe. My solution was to remove the old hat band and the adhesive and make a removable replacement hat band. I decided to make two. This is the first one. To see my striped removable hat band using two ribbons, see Part III. My first step was to choose my Petersham ribbon. Petersham is a type of ribbon that has little notches on the edges that enables it to go around a curve. It has some flexibility to it, which lets you manipulate it so it can go around a curve and lay flat against the crown of the hat (the part that covers the head). Britex has a huge selection of Petersham in solid colors and even striped Petersham, which isn't as common as the solids. Here’s the ribbon I selected for the first hat band: A solid gray, 1.5 inch width First I measured the crown of the hat at the widest part - about 23 inches there. Make sure your tape measure is at the same level around the widest part of the crown, where the ribbon will go. I moved it slightly up so you could see the measurement. Cut a length of ribbon the circumference of the crown plus two inches. You won't need more than an inch or so extra but you can always trim the excess. I like to have a little extra for safety. When you put the ribbon around the crown, it won't lay flat because the crown is wider at the bottom. You will have a slight gap at the top of the ribbon, like this photo. To make your ribbon lie flat, you gently stretch the bottom edge of the ribbon as you press it with your steam iron. Start at the center and pull it to one side and then repeat on the other side in the opposite direction. You just want it to be slightly wider at the bottom, about 1/8 inch on each side of the ribbon. Don't forget to use a press cloth to protect the ribbon. If you don't it could get shiny. I used a scrap of organza as my press cloth. Now the ribbon will lay flat against the crown because of the slight stretch you gave it.
July 11, 2016 by Chuleenan of CSewsPart I: Making a lace hat The first part of this tutorial is about making a lace hat using milliner Patricia Underwood’s Vogue pattern (V8891). I made version D – a small-brimmed hat – and trimmed it with Petersham ribbon. The materials (Available at britexfabrics.com and / or at the Britex Fabrics brick-and-mortar store in San Francisco)
- Millinery wire
- Lace fabric
- Petersham Ribbon (not pictured)
- Pins or pattern weights
- Press cloth
- Fray Check
June 30, 2016 by NicoleAtHomeI’m so excited to share my method for inserting lace into a curved seam (such as a princess seam). For my blouse, I used this dusty peach handkerchief-weight linen and floral ivory insertion lace, though there are many, many options for both linens and laces, both online and in-store! After seeing one of the cover shots for the Hayden pattern, and making a couple myself (two versions here), I really wanted to insert lace in the seam lines on the front and along the hem. The style lines are curved, though, so the typical way of inserting lace had to be tweaked a bit. Usually, insertion lace is applied on an uncut, unseamed piece of fabric. The general steps are: sew along both lengths of the insertion lace, then cut through the fabric on the wrong side and press the fabric open. On the right side, using a narrow zig-zag stitch, sew along the edge of the lace again (which catches the fabric on the wrong side) and the trim the fabric on the wrong side, close to the stitches. Insertion lace can also be inserted into an existing seam, before sewing the seam and after taking into consideration the added width of the lace. However, for this blouse, the seam in which I wanted to put the lace was a curved princess seam along the front. Instead of inserting the lace before sewing the seam, I did it a bit differently:
June 23, 2016 by Orange LingerieYou can never have too many robes! That was my first thought when I saw this amazing wool challis fabric from Britex. Wool challis is such an amazing fabric to work with and this Etro-like paisley print is exactly what I was looking for! Since I wanted a luxurious robe with a shawl collar and did not have one drafted, I decided to use Vogue Patterns 8888, View A. Given the pattern repeat on this fabric (an uneven plaid), I ended up having to shorten the robe length by 1 ½” to get it to fit within my yardage. The amount I needed to shorten the robe by was just over the pattern specified hem allowance and I really wanted to stay as close as possible to original length. I thought a narrow hem would look out of place on such a luxe robe so I decided to make a hem facing! Luckily I had decided to forgo pockets and had just enough fabric left to allow me cut hem facings. To calculate the dimensions of the hem facing, I first determined the size hem that I wanted. Keeping with the luxe theme, I decided to go with a generous 2” hem. The hem of the robe is curved so to draft the hem facing, I first traced off the front and back pattern pieces along the line where I had cut the length. Next, I marked up from that line ¼” for the seam allowance to attach the facing to the robe, plus the 2” hem that I wanted to end up and finally another ½” to turn under the raw edge of the fabric and be able to topstitch the hem at 2”. Total width of the hem facing was 2 ¾” (¼” + 2” + ½”). I then traced the side seams of the garment to get the side seams of the hem facing so the facing so it would fit perfectly inside garment. Once the robe was sewn up, I applied the facings. First I sewed the front and back hem facings together and pressed under the 3/8” that I had allowed to turn under the raw edge (the extra 1/8” would ensure I would be able to topstitch the hem at 2” and capture the facing).