Photo credit: Liz Clayman
I’ve kicked off the new year with a pretty busy schedule here at the Jamie Lau Designs studio. I just wrapped a photo shoot of my new textile designs and also added my latest Britex project to the shot list. With this post, I wanted to branch out from dresses and into the world of separates. I designed a pair of pleated shorts in one of my prints a few months ago and wanted to make the same cut, but in a different fabric. For this project, I selected the cream Windowpane Check Black and Carmine Wool Crepe for my checked ensemble. This wool crepe does not wrinkle and has a nice pebbly texture and soft weight. For the overall look, I found the smaller scale of checks appealing and was partially inspired by the geometric designs of André Courrèges and the playful, mod aesthetic of Foale and Tuffin.
(Left) Dress by André Courrèges, 1968; (Right) Marion Foale at the sewing machine, 1963 Click here to read more »
When I discovered the beautiful and vintage-y modern plaid at Britex, I knew I had found the fabric for which I had been searching. I had in mind a short sleeve button-up shirt for my husband, but wanted something different than classic dress shirting. This fab plaid completely fit the bill! However, once I laid out the fabric and went to cut out my pattern, I realized I had a big challenge ahead of me. Plaid. Matching plaid is one issue; deciding in which direction the plaid should be arranged and the overall layout was the other. Should the plaid on the yoke be diagonal? If the yoke is on the straight grain, could the pockets be diagonal? What about the placket?? I was completely paralyzed by indecision for a while, but after looking at some ready-to-wear men’s tops, I opted to go for a straight-laced version with no diagonally arranged plaid pieces. Really working the 70s vibe of the fabric might look great, but I wanted to be sure my husband would actually wear the shirt!
Click here to read more »