With winter approaching and temperatures dropping, I wanted to create a wool dress to keep warm for the season as an alternative to just wearing sweaters. For this project, I selected an aubergine wool blend with embroidered scallops. I cut the dress on the cross grain and found this fabric fairly easy to work with. The only challenge was lining up the scallops at the side seams, which took a bit of patience. The double rows of scallops were about an inch apart. Click here to read more »
Cull your fall and winter sewing inspiration from these clips of a fashion show at the Savoy Hotel, London in 1951, taken from the legendary British Pathe. This elegant show features amazing coats, suits, and gowns of the early 1950s. We are particularly enamored with Sheila in her fern-like feathered antenna hat and black wool coat, then again in a wool jersey three piece suit with a hip mounted umbrella sheath. These women really knew how to wield an umbrella for great effect!
I’ve been busy designing jumpsuits this month, including a style with a drawstring waist in embroidered Japanese cotton. For my latest edition of Fashion Travelogue, I selected two beautiful fabrics from the Britex linen category for a bolder jumpsuit look – a colorblock palazzo pant style with short kimono sleeves. For the yoke and necktie, I chose a lightweight linen that is a cross between hunter green and teal green. And for the volume-heavy part of the garment, I selected a midweight linen that is a lovely mix of warm copper and terracotta tones. The width on both of these fabrics is quite generous (58”-59” wide), perfect for wide leg pants. Click here to read more »
I’ve kicked off the new year with a pretty busy schedule here at the Jamie Lau Designs studio. I just wrapped a photo shoot of my new textile designs and also added my latest Britex project to the shot list. With this post, I wanted to branch out from dresses and into the world of separates. I designed a pair of pleated shorts in one of my prints a few months ago and wanted to make the same cut, but in a different fabric. For this project, I selected the cream Windowpane Check Black and Carmine Wool Crepe for my checked ensemble. This wool crepe does not wrinkle and has a nice pebbly texture and soft weight. For the overall look, I found the smaller scale of checks appealing and was partially inspired by the geometric designs of André Courrèges and the playful, mod aesthetic of Foale and Tuffin.
Another beautiful project by Wanett of Sown Brooklyn brings us closer to the inevitable truth that winter is approaching. In her second Guest Blogger post, Wanett tells us how she modified a jacket pattern to make a quick wooly and wintery vest. For inspiration, take a look at our online wool fabrics currently on sale; Coating sale ends November 14 and Mid/Light Weight Wool sale runs from November 15-30.
For this, my second Britex project, I got to work with one of my FAVORITE fabrics (again!!):
Hello Britex blog readers!!! I’m Wanett (or Nettie, if you prefer) and I blog at Sown Brooklyn from…Brooklyn!! After I stopped squealing and jumping around when the good peeps at Britex asked me to join their team, I zoned in on the project I wanted to start with. Almost immediately the word CAPE!! (yes, all caps with !!!!) came to mind. I love this Shetland pony wool plaid with a touch of mock Harris tweed, all in shades of blue accented with chocolate brown from Britex Fabrics – perfect for Brooklyn fall strolls!
It seems like tissue knits are everywhere lately, and with good reason, they’re amazing for summer layering. They make a nice light layer for cool evenings or, if you’re in Chicago like I am, all these cool days we’re having lately. Tissue knits can be a bit intimidating, they’re so thin, wispy, and roll like crazy, so I’m here to show you how I work with them.
Hello fellow sewing enthusiasts! I’m Laura Mae from Lilacs & Lace. It will probably come as no surprise that I am a huge fan of vintage patterns. I adore reproductions, which are generally a little more forgiving because of the added markings and updated instructions, free of damage and strange smells. But there is something wonderful about working with a vintage pattern that is decades old. Some have written notes or postmarks, and even contain newspaper clippings, or facing pieces cut from newsprint. I love to imagine what the original purchaser had in mind when she picked out her pattern!
I chose a beautiful lightweight navy wool for this mail order pattern from the late 1940s. A classic fabric for a classic silhouette!
The world of linings and interlinings can sometimes be mysterious, and because of that, can often be an afterthought. That’s why, when our POP-UP Britex sponsor Apparel Arts ran an article explaining the differences between these unique layers, we asked if we could share it on the Britex Blog. Read on and let us know if you found it helpful!
Hello everyone! I am back with a new vintage dress and an underlining tutorial. Along with this yummy fuchsia chenille, I received a length of silk organza for this project.
Silk organza really is a miracle fabric, in my opinion. It is crisp, lightweight, and can perform so many different functions. First off, it makes truly beautiful garments, especially when embroidered. At the other end of the spectrum, it can make an excellent press cloth. Tear it into strips, and it can help to stabilize a zipper opening. I even substitute organza for fusible interfacing on facings. I could go on and on, but perhaps I should get back on point!