Part 1: Retro Gala Dress by Laura Mae
Our retro queen Guest Blogger Laura Mae of Lilacs & Lace has a fabulous new project in store for us. There are so many details to this gala outfit that we have decided to break down the process into many fabulous technique-rich posts. Part 1 offers tons of pattern handling tips. Part 2 is a thorough bound buttonholes walk-through. Part 3? You’ll just have to wait and see.
[Britex has generously provided the fabric and sewing supplies for a dress I will be wearing to a formal event in October. I will be sharing some of the steps and construction techniques with you as I work on this project over the next couple of months. All materials were selected in-store.]
My chosen pattern is a vintage reproduction. Many reproductions, mine included, are printed on bond paper. And these days there are quite a few print-it-yourself pattern options as well. This means that pattern pieces are made of rather thick paper. No matter how thick my fabric, I have never come across any that feel or behave like paper.
To begin, I unfold the massive sheets of bond paper, and separate each individual piece with paper scissors – no reason to dull my sewing shears! Cutting everything apart into smaller pieces makes things much more manageable in my crowded sewing room.
I always like to check that all pieces are accounted for, and re-fold and put aside anything that will not be needed (such as alternate sleeve options, or a belt pattern that will not be used).
Next up is a quick iron. Just like pattern tissue, I like to iron my paper pattern pieces from the non-printed side to flatten everything out. (I once made the mistake of ironing over printing and the face plate of my iron was not pleased.)
Using inexpensive muslin, tracing paper, and a tracing wheel, I make a pliable and re-usable pattern piece. (An old sheet or fabric remnant will work just as well. A solid and light-colored fabric that can be marked up will be easier to work with than a busy print that camouflages all of the darts, grainlines and notches you so carefully transfer to the fabric!)
I grab whatever I have handy for pattern weights, and slip pieces of my tracing paper between the paper pattern and my fabric.
Once the fabric is cut, I lay it on top of the paper pattern to make sure they match. At this point, I use a Sharpie pen to mark notches, darts, grainlines, etc.
Once the piece is traced, and all the markings transferred, the original paper pattern gets folded and put away. If I am being perfectly honest, a few of them will be pulled out again when I have questions, and to check on that notch that I forgot to mark! But for now, I clear them off the table.
Some pattern pieces are cut on the fold. The more projects I complete, the more I realize how much I prefer to cut a single layer of fabric. I will cut those pieces on a folded length of muslin, so I have a complete piece to work with and do not have to fold my fashion fabric.
Before tracing the edges, I pin the folded fabric in place to make sure it will not shift.
As a final step, I stitch a line of stay-stitching along each edge of my new fabric pattern pieces. This ensures that the edges will not stretch or distort.
Now, instead of stiff paper, I have a lovely fabric pattern that will lay beautifully on my fashion fabric and make cutting so much easier!